human centered design
cognitive systems eng
publications
industrial design
2005
The de:cycle converges classic and more
recent design methods and techniques into a longshot on the
different types of design expertise. It provides a map of
design activities that observe, explore, and create.
de:cycle
Human-Centered Design
the role of storytelling and point of view
in an integrative model for design
(excerpt)
august 23 ‘04
2004
point of view
‘04
This essay presents design directions from
industrial design and positions held in the design methods
movement in the context of software designers’
definitions of design activity.
2004
The de:cycle serves as a map that
illustrates the creative search in its northwest quadrant,
using the example of Magnus Feil’s, at the time, ongoing
design project for a remote camera control interface.
2003
2003
2002
This production illustrates the
characteristics of computerized systems in operations context:
how automated systems become team players, how they can fail,
and how people cope with complexities and recover from error.
The Remote Perception Problem
James Tittle, David Woods, Axel Roesler and
Flip Philips
Proceedings, 46th Meeting of the Human
Factors Society, Baltimore, MD
October ‘02
Viewtracks illustrates why it is
complicated to explore a remote environment based on camera
views from a robotic platform. We identify a set of design
concepts that support this type of search and navigation.
2002
Viewtracks: 2D and 3D are Viewpoint
Dependent
Multimedia Production
MediaPaper
link ‘01
2001
animock is a visual
narrative technique that integrates story
lines with spatial and temporal characteristics of a scenario.
For designers, animocks presesent a plethora of
pre-visualization and mock-up possibilities that support design
ideation.
The Role of 2D and 3D in the Design and Use
of Computer Displays
James Tittle, David Woods, Axel Roesler and
Flip Philips
Multimedia Production
MediaPaper
link ‘01
The Role of 2D and 3D in the Design and Use
of Computer Displays
James Tittle, David Woods, Axel Roesler and
Flip Philips
Proceedings, 45th Meeting of the Human
Factors Society, Minneapolis, MS
October ‘01
the distinction between 2D and 3D is not a
harsh step between 2 systems, but provides smooth transitions.
which type of projection is appropriate depends on camera
position relative to an object in view.
2001
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